Living in a new state, in a new city, lends itself to some very definitive “firsts” for myself and my family. This year was I got to experience my first Whitefish Winter Carnival and several of its related events including the Skijoring competition a week prior, the penguin plunge—benefitting area Special Olympics athletes—which I hope to participate in next year, and the Winter Carnival Parade.
Having never grown up in a small town this sort of community event is reasonably foreign to me. It was really fun to see everyone really get into the event, have people you actually know be in the parade itself, and to run in to people you know from other activities in the course of your daily lives.
The Winter Carnival is loosely based around an area mythology involving nordic deities, yetis, and the encroachment of man on wilderness areas. Eddie "The Eagle" Edwards served as the guest of honor this year—the 70th anniversary of the carnival—with the theme of "fly like an eagle."
The holidays meant I got to spend a little time documenting my new nephew's growth as well as his first Christmas. He was a consummate professional handling multiple clothing changing with aplomb. This was the first of what I'm sure will be many photo sessions... probably for the rest of his life. :D
This family has been a big part of my life for approaching three decades, and it was a honor to finally document this famously—to me anyway—camera shy couple. The weather could've been a little less humid, and a little more sunny, and frankly a little cooler for early November, but that did nothing to deter this endeavor.
This isn't the first time I've had the pleasure of documenting the Lamb family, but it is the first time I've done so since they became a family of five! It was a pleasure to visit them at their new residence and seeing their continue to grow into young ladies and a young gentleman.
I once again had the opportunity to shoot the Formula 1 United States Grand Prix at Circuit of the Americas for my colleagues at Texas Highways magazine, and I wasn't going to miss it. For the most part Austin was once again blessed with tremendous weather for the most important parts of the weekend. And while I think there were issues with my credentials, thus not being able to also cover the Justin Timberlake and Stevie Wonder concerts, it was still a really great race on the track, which of course is really the whole point. Below is a smaller subset of images from the weekend, for the full gallery please visit the photo essay over at Texas Highways.
It isn't every day you get the opportunity to document an upcoming addition to your extended family. My sister- and brother-in-law are expecting a new addition, and while I've got a step-niece and an adopted nephew, this will be the first time I'm an uncle without any sort of qualifier. It also means my daughter will no longer be the youngest in the family, and she can't wait to boss around her younger cousin.
When I first pitched the idea of doing a photo essay of this years' Lone Star Le Mans at Circuit of the America for my colleagues at Texas Highways magazine, I didn't realize the World Endurance Championship wouldn't be returning to Austin in the foreseeable future. Which I won't lie is a bit of a bummer.
I also didn't realize that there wouldn't be any evening racing, and I'd really hoped to capture the track at night. Double whammy!
But capture the event I did, and I'm really glad I had the opportunity. It was a really neat experience, and its a shame that more people didn't attend. The amount of access to the cars, the teams, the drivers, and parts of the facility were truly amazing. And while having media credentials did allow me to shoot trackside which I couldn't have done otherwise, I didn't need it to get up close to the paddock area, the garages, anything really.
These are just a handful of the images, you can view the whole gallery over at Texas Highways.
Halfway through her honeymoon, Michelle decided she wanted to do a bridal portrait session. So I received an email from the other side of the world several days after her wedding to see if I was available to do something about this. "Of course!" I replied, so I joined Michelle and Blake who were only somewhat jet-lagged from their return trip at South Congress Hotel to take advantage of the venues wide variety of shooting locations.
One big plus to doing a bridal portrait session after the wedding is I get to share the photos with everyone right away since the groom has already seen the dress. It also means the groom gets to participate in the fun and act as pack animal by carrying the bride's things, helping with the train of the dress, guarding the door to the women's restroom because we just had to get pictures in front of the awesome tile walls, and of course assisting with getting candid, genuine smiles out of the bride. It was tons of fun, and it was great to spend another evening with Michelle and Blake.
This past weekend I had the pleasure of helping to cover The Shade Project's Down & Derby 2017 fundraiser at Ranch Austin. The Shade Project raises money for skin cancer awareness and prevention as well as shade structures at parks, schools, and other public spaces.
I'm always concerned with making sure my clients are happy. Doubly so when I'm taking photos for another photographer. Some friends recently welcomed a third member to their household, and while they're probably already buried in photos of the little one, its difficult to manage getting a true family photograph (this would also be why my own family basically has one each year, which is taken with Santa :). I was happy to oblige.
I'd previously been out to Circuit of the Americas to cover Formula 1 twice, but had never attended a MotoGP race. That all changed this year with the opportunity to cover the 2017 Red Bull Grand Prix of the Americas for Texas Highways magazine. It was a really great experience, with its own minor quirks and challenges shooting it that operated it from covering Formula 1 (beyond the obvious differences of course). For additional photos check out the full photo essay.
I had a couple of photos included in the March 2017 issue of Texas Highways magazine in the story "Vision and Volume" by Matt Joyce covering the Flatstock poster show that happens in conjunction with SXSW each year here in Austin, Texas. This was a particularly exciting milestone for me, because while I have had photo credits in the Texas Highways events calendar, the Texas State Travel Guide, and texashighways.com for web exclusive content this was my first photo credit in the actual magazine.
Last August—as you may have seen—my family and I took a long road trip up to Whitefish, Montana to spend about a week in the area and visit Glacier National Park. Well long story short, we couldn't help but fall in love with it. The people, the businesses, the weather, just about everything really. We loved it so much in fact, that we decided to seriously consider making the move up there! But there was one catch, my wife doesn't particularly care for the cold, and had never really experienced true Winter having grown up in Texas. And while I predominantly grew up in Texas, I originally hail from Illinois, and spent a couple of years going to college there. I love the cold far more than I do days above 100 degrees.
So what to do with this idea? We decided to spend a large chunk of January in Whitefish to see what it might be like to live there in the depths of Winter. And you know what? It was kind of awesome. Below are a handful of photos I took during our stay, as well as a hastily edited timelapse of the drive to Glacier National Park.
So what was our verdict regarding trying to make the move? Stay tuned!
If you have followed my photography for any amount of time you've probably figured out I'm a big fan of the National Park Service and the parks, lands, monuments, and memorials they manage. I've been wanting to channel that fandom into something more meaningful for a while and now that I've visited enough of them to have a library of images from several parks I've decide to open a print storefront of them and donate the profits. Now through July 4th I'll donate 43% of the purchase price—100% of my profits—on these prints to organizations that support our National Parks. There are nine photos to choose from now, some of which are show below.
Additionally, I intend to add the photos below to the available options in the next couple of weeks.
I'll try to provide updates—assuming this is reasonably successful anyway—of how much money is raised and ultimately donated via these print sales. Visit my United States National Parks prints site for prices and additional options.
Just after Christmas I had the pleasure of joining Leslie & Rick at their home as they tied the knot surrounded by their family, and I couldn't have been more honored to be welcomed into such a warm and loving environment. Congratulations Leslie & Rick!
I've had the pleasure of knowing the Soisson family for a good while now. Even before these strapping young men were born in fact! And this was my second time joining them for a lighthearted, joke-filled family session just before Thanksgiving around Lady Bird Lake—though it will always be 'town lake' to me—just South of downtown Austin.
I feel so fortunate to have met this extremely loving couple and their wonderful families and friends. It was really important to them that everyone including the vendors have a good time and was treated like family and it absolutely felt that way. From the unique setting at Spike Gillespie's Tiny T Ranch just east of Austin towards Bastrop, to the tents around the property where guests were camping overnight after the ceremony and festivities, to the enormous fireworks display serving as a stand-in for the 'send off' in a nod to Aubrey's father's love of putting on fireworks shows it was a one-of-a-kind experience that I couldn't be prouder to be a part of. Congratulations Megan & Aubrey!
This year I was fortunate to once again shoot the Formula 1 United States Grand Prix at Circuit of the Americas for Texas Highways magazine. In addition to the race festivities I was also able to secure accreditation for Taylor Swift's sole performance of 2016 following Saturday's qualifying race. And while it may sound crazy, I think there is a lot of overlap between the skills involved in shooting such a large motorsport event and music performance and wedding photography. You're constantly on the move and dealing with sometimes limited vantage points from which to get just the shot your looking for which really forces you to get creative.